Protected Too Late | Intaglio Print

$24.00

Protected Too Late is an intaglio print by Ashleigh Ritchie, created in response to the fragility of New Zealand’s native birdlife. The work depicts a bird’s leg found washed ashore, its fine black feathers and tuft of white carefully preserved in memory through etching.

The composition contrasts the fragility of feathers and bone with the weight of human hands, capturing both tenderness and loss. Through delicate linework and rich tonal etching, the print evokes a quiet reflection on the vulnerability of wildlife and the urgency of protecting it before it’s too late.

Each print is hand-pulled on archival Fabriano Tiepolo 290gsm paper using Charbonnel carbon black etching ink. As an original hand-inked and pressed work, every impression carries subtle variations, making each piece unique.

The edition is strictly limited to 8 prints only. The original zinc plate is no longer in use. Prints are signed, numbered, and produced to honour both the printmaking craft and the fragile subjects it preserves.

Limited Edition – 8 (signed and numbered)

Dimension -Paper - 280x280mm, Imagery - 240x240mm

Completed - 2022

Protected Too Late is an intaglio print by Ashleigh Ritchie, created in response to the fragility of New Zealand’s native birdlife. The work depicts a bird’s leg found washed ashore, its fine black feathers and tuft of white carefully preserved in memory through etching.

The composition contrasts the fragility of feathers and bone with the weight of human hands, capturing both tenderness and loss. Through delicate linework and rich tonal etching, the print evokes a quiet reflection on the vulnerability of wildlife and the urgency of protecting it before it’s too late.

Each print is hand-pulled on archival Fabriano Tiepolo 290gsm paper using Charbonnel carbon black etching ink. As an original hand-inked and pressed work, every impression carries subtle variations, making each piece unique.

The edition is strictly limited to 8 prints only. The original zinc plate is no longer in use. Prints are signed, numbered, and produced to honour both the printmaking craft and the fragile subjects it preserves.

Limited Edition – 8 (signed and numbered)

Dimension -Paper - 280x280mm, Imagery - 240x240mm

Completed - 2022

Care Instructions – Intaglio Prints by Ashleigh Ritchie
Each intaglio print is an original artwork, hand-pulled from the zinc plate and finished with delicate watercolour accents. Printed using Charbonnel carbon black etching ink on archival Fabriano Tiepolo 290gsm paper, these works are designed to last for generations when cared for properly.
Please follow the guidelines below to help preserve the beauty and integrity of your print:

Handle your print with clean, dry hands or cotton gloves to avoid transferring oils or marks.
Always support the paper fully when moving, and hold only by the edges.
Avoid touching the printed or hand-coloured surface directly, as it is delicate and may smudge or mark.

Keep your print out of direct sunlight to prevent fading or discolouration of both ink and hand-applied watercolour.
For long-term display, framing with UV-protective glass is strongly recommended.

Display in a stable environment, avoiding areas with high humidity or fluctuating temperature.
Do not hang above heaters, fireplaces, or in damp areas such as bathrooms.
Prints are best placed in quieter spaces where they are less likely to be knocked or scratched.

Do not attempt to clean the surface of the print with water or sprays.
To remove dust, lightly use a soft, dry, lint-free cloth on the frame or mat only — never touch the print surface itself.

Prints are shipped flat, packaged in archival protective sleeves with rigid backing for safe transport.
If storing, keep your print flat in its sleeve in a cool, dry place away from sunlight, heat, or moisture.
Avoid stacking heavy objects on top of your print.

With careful handling and the right conditions, your Ashleigh Ritchie intaglio print will remain a treasured piece for many years to come.